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“A Tale of Four Universities”. The Australian (Higher Education Supplement). April, 2005. (newspaper article)
"Post-Graduate Study Overseas: Making it Happen." (with Caroline Rueckert) August, 2004. (Booklet and DVD)
“Is There a Net: Catching Ourselves in the Paradox of Creativity”. Commissioned for Queensland University of Technology’s Master of Learning Innovation program. Published on password protected course website. (Popular essay)
“Scaling the Walls of Narrative Voice in Rohinton Mistry’s Such a Long Journey.” Commonwealth: Essays and Studies. 27.2 (Spring 2005): 59-70. (academic article)
“I enjoyed working with you on your book....
you were a model author”
Suzannah Burywood. Publisher, Palgrave Macmillan UK
Review of Bedlam, by Alan Hollinghurst. Idea&s: Review of Arts and Sciences 2.2: 62. (book review)
“Beautiful Objects.” Public reading. Rocliffe Script Forum, London (UK). 2001. (short stage play)
“Behind Closed Words.” Public reading. Rocliffe Script Forum. London (UK). 2001. (short stage play)
“Egg Shell Magnifico”. Public reading. Scriptworks (now Scripttank). London (UK). 2001. (full-length stage play)
“Egg Shell Magnifico”. Reading and script development workshop. Farrago Productions. Paddington Workers’ Club. 2000. (full-length stage play)
“Bastard” and “Macca”. “…Or You Can Get Out and Walk!” Farrago Productions. Newboard ’99 Festival, La Boite Theatre, Brisbane. 1999. (short stage plays)
“Haven’t You Heard?” BAT Drama Festival. Brisbane Arts Theatre. 1999. (one-act play)
“An Interview with Playwright Sven Olsen”. On Q. Brisbane: Queensland Theatre Company, 1999. (interview)
Program Notes. Expo – The Human Factor, by John Romeril. Brisbane: Queensland Theatre Company, 1999. (program notes)
“Leaving Me Cold”. Reading and script development workshop. Australian National Playwrights’ Centre Young Playwrights Studio. 1998. (full-length stage play)
“…my favourite piece… A
totally surreal and disturbing
experience, and one that fulfilled all
the requirements of great theatre.”
Alison Coates, Theatre critic, The Courier Mail, Brisbane
(about Or You Can Get Out and Walk)
“Leaving Me Cold”. Public Reading. Roma St Fire Station. 1998. (full-length stage play)
“An Experiment in Deleuze – and a Justification”. Island Magazine, 1998. (creative essay)
“Cadenza.” Reading and script development workshop. World Interplay ’97. 1997. (full-length stage play)
“Cadenza.” Script development workshop and public reading. Playlab. Brisbane. 1996. (full-length stage play)
“Brecht’s Baby.” Avalon Theatre, University of Queensland. 1996. (short stage play)
“Anna...works at an exceptional standard of
excellence. I consider [Anna] a mature, outgoing,
pro-active, focused and creative person
… she is not afraid of new ideas or hard work…”
Dr. Veronica Kelly, University of Queensland
“Behind Closed Doors.” Artbeat, 1996. (national Australian literary magazine) (short fiction)
“Behind Closed Words.” Idiom 23, 1995. (national Australian literary magazine) (stage play)
“Behind Closed Words.” Play Writing Masterclass with Michael Gow. National Institute of Dramatic Arts Summer Program. 1994. (short stage play)
“Just Smile”. Asia Week Anthology. Brisbane. 1994 (short story)
“Talking to Mr Bentley.” Script development workshop. Australian National Playwrights’ Centre Young Playwrights Studio. 1994. (stage play)
“Hang Up!” Part of An Evening Of… Yeronga High School, Brisbane. 1994. (short stage play)
“Poor Ned.” Australian Tournament of Minds Competition. 1994. (short performance piece)
“Anna was great to work with – determined and
full of ideas but also open to new ideas and
suggestions…The cast and I really enjoyed working
on Haven’t You Heard and working with Anna.”
Bianca Peltola, Director of Haven’t You Heard?,
Brisbane Arts Theatre
Go to Awards and Honours
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